I've been giving the pens and brushes a workout again. I do apologise if this is boring to some people, but I want to share the process of a calligraphic work for people who are interested (like probably only other calligraphers, hehe). Also, calligraphy is really rocking my squeaky little world right now, so you're just gonna have to deal with it ;)
This time I've been working on a multilayered piece which was a bit of an experiment/exploration thing that started as a class project. The project instructions were "Using the Neuland script scribe the word ALPHABET in pencil and wet the background up to the letters. Vary the shading of the paint. You will be left with the letters the same colour as the paper. When thoroughly dry and in a different script, if you prefer, scribe 'so few letters, so many words', anywhere on the page."
I wish I'd taken progress photos, but I had no idea it would even turn out being anything worth looking at, even after about 3-4 hours work. This is it after about 6 hours total (not including drying and thinking time, hehe)
First I wrote ALPHABET with the nifty pen I made from the plastic bits off the side of a yoghurt tub, and when it was dry I used a lightbox to trace the letters on to plain white watercolour paper. I painted the background with water (leaving the letters dry) to make the paper damp and spongy, and then flooded the damp paper with watered down designer's gouache (I'd never used this technique before - our teacher showed us in class and I happily toddled home and played with it). I did it quite messily, and David spattered it with red wine, but I wasn't too worried, and just kept going. I layered blues and purples and the next day wetted it up again and layered some darker and more intense shades. I wasn't happy with how it looked, it was messy and dodgy and looked like crap.
I took it into to class, the teacher wasn't fazed and got me tidying up a few smudges and rough edges with a hyperaser, and then I wrote two lines of script over the top of it all, embedding "so few letters, so many" into a paler repeat of "blahblahblah" - all in carolingian, and charcoal coloured gouache. You can see in this first detail photo the darker focus word "many" with "blahblahblah" melting into the background.
Then it was masking time, and I went over the entire two lines of carolingian with a paintbrush and masking fluid (liquid latex), I was fairly rough with it, so it would give an irregular outline when the mask was removed afterwards. Then I lightly penciled a freehand "words" right over the top of the lot.
For the final "words" over the top I used three stages of layering. The first layer was a very even dark blue brushed line in gouache. I then mixed process cyan gouache with LOTS of water to make a very translucent mix and used a large chinese calligraphy brush over the top of the still-damp blue line of gouache, very uneven and irregular. Finally, when these two layers had dried sufficiently I went over the lot with a brush and black chinese stick ink. You can see in this detail piccy the way that I've allowed each layer to have a life of its own, none of the layers is a shadow or a regular background, each just sits mostly on top of the other with no rules as to which is shadowing which, the only obvious thing about it being that the black line is the dominant one, and that is really all.
I was eventually happy with it. I was very tempted to put a very fine metallic shadow underneath the black "words" line, but I thought that it would be too much then, so... I stopped. And here it is! :D I think one of my favourite things about it is the negative space formed by the white parts of the big "alphabet" word in the background. These, along with the similarly intriguing cyan shapes within the "alphabet" letters, were an unexpected and delightful accident.